Multi-Channel Sound Design: Instruments for 360-Degree Composition

Durham, Mark (2018) Multi-Channel Sound Design: Instruments for 360-Degree Composition. In: Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi. Royal College of Music (KMH) & Art of Record Production, Stockholm, pp. 71-88. ISBN 978-91-983869-9-8

Abstract

The continuing development and industry uptake of multi-channel audio is creating new potential for sound designers. This paper presents research that provides a new approach to designing sound for spatial audio applications, by investigating the potential of combining sound creation and spatialisation through performance. The research uses a practice-based approach, involving the design, development and testing of a software-based instrument that combines gestural control, multi-voice sound generation and an Ambisonic spatialisation system. The focus of the research is to prototype an instrument that is easy to learn and intuitive to use.

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Official URL:	http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3...
Item Type:	Book Section
Divisions:	School of Media
Depositing User:	Dr I Rashid
Date Deposited:	08 Jun 2020 14:42
Last Modified:	08 Jun 2020 14:42
URI:	https://rave.repository.guildhe.ac.uk/id/eprint/48

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• Multi-Channel Sound Design: Instruments for 360-Degree Composition. (deposited 26 Mar 2020 16:10)
  • Multi-Channel Sound Design: Instruments for 360-Degree Composition. (deposited 08 Jun 2020 14:42) [Currently Displayed]

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